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A Livingetc report describes a renewed interest in floral resin, with preserved flowers incorporated into furniture and interiors. The examples span a Paris herbal infusion house, design studios and artist Marcin Rusak’s work, while the reasons behind the trend are interpretations from designers rather than measured industry data.
Preserved flowers set in resin are appearing in a range of recent interiors and design projects, according to a Livingetc report highlighting examples in Paris hospitality spaces and work by designers including Marcin Rusak. The development points to renewed attention for a decorative technique that the report traces to the 1940s, though it does not provide sales figures or other data to establish how widespread the revival is.
One featured example is Apoticari’s La Tisanerie, a herbal infusion house opened in September in Paris’s Haut-Marais. The report describes its floral-enriched resin bar counter as a visual anchor for a space built around botanical ingredients. Apoticari was founded by Elsa Snakers; the project’s listed contributors include architect Paul de Saint Maur and table craftspeople Bankal et Decker.
The report also points to Monologue x Paraforma’s Gelo side tables, which Romain Casella, founder and director of the London- and Geneva-based creative agency MAY, describes as hand-cast resin pieces with varied textures and colors. Casella says resin has become more visible in the client platforms he observes, including tables, consoles and lighting. His account is a professional observation, not a quantified measure of the market.
Other examples include work by Polish botanical artist and designer Marcin Rusak, whose Flora Herbarium Clear Amber 152 is among the pieces identified in the report, and Austrian designer Laurids Gallée’s Node 01 light. Dutch designer Sabine Marcelis is also cited for her work with resin and light. The report says her exhibition, Sabine Marcelis: Light and Color, is scheduled at Zurich’s Museum für Gestaltung from October 30, 2026, through April 4, 2027.
Why Designers Are Preserving Flowers
Resin makes flowers part of an object’s structure rather than a temporary arrangement, allowing a table, counter or light to hold botanical material in a fixed form. That gives the pieces a practical role in interiors while also making them conversation pieces about memory, nature and the passage of time.
Casella interprets the appeal as partly connected to nostalgia and a desire to “freeze time.” That is his explanation, not a finding established by the report. For readers, the examples show how a material associated with decorative craft is being used in both commercial spaces and collectible design. The report offers a snapshot of that activity, but cannot establish whether it represents a broad shift in consumer demand.
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A Technique With Earlier Revivals
Livingetc traces floral epoxy-resin design to the 1940s, followed by a revival in the 1980s. The current attention is presented as another return, alongside what the article calls a wider interest in amber-colored interiors. It does not give a detailed chronology of earlier makers or explain how the technique changed between those periods.
The report links the current examples through a shared decorative approach rather than a single company, launch or coordinated campaign. Its author notes encountering resin pieces in hospitality venues and design circles, including around Frieze Week, but that personal observation is not a survey of the design industry. The article also refers to Livingetc’s Style Pulse S/S27 report, which names “One Decorative Gesture” as an interior trend forecast; that is a publication’s forecast, not confirmation of future adoption.
““We’re deliberately choosing to freeze time — and there’s something reassuring in that in such unstable times: it doesn’t move; it’s there, still.””
— Romain Casella, founder and director of MAY, speaking to Livingetc
How Broad Is the Resin Revival?
The report does not establish how many studios or venues are adopting floral resin, whether demand is increasing, or how sales compare with previous years. No market data, production figures or independent survey are included. The language of a trend reflects the publication’s observations and forecast, rather than a verified industry-wide measure.
It is also unclear how the featured pieces are made in detail, including the sourcing and treatment of flowers, the specific resins used, and how the objects are maintained over time. The article does not assess environmental impacts, durability or repair options. Those details may vary between makers and individual projects.
Upcoming Exhibitions and Design Work
Rusak is scheduled to present Flora Herbarium Clear Amber 152 at Salon Art + Design in New York, running November 4–8 at the Park Avenue Armory, according to the report. The article also points to Marcelis’s Zurich museum exhibition, set to open October 30, 2026, and run until April 4, 2027.
Those events will provide further opportunities to see how designers are using resin and preserved botanicals. Whether the current visibility develops into sustained demand remains unknown; the source provides no longer-term sales or adoption data.
Key Questions
What does “floral resin” mean in this report?
It refers to flowers preserved inside resin and incorporated into objects such as furniture, counters or lighting. The report uses “floral epoxy” as a term for this kind of design but does not specify the resin formulation used for each example.
Where is floral resin appearing?
The report identifies Apoticari’s La Tisanerie in Paris, furniture by Monologue and Paraforma, and work by designers including Marcin Rusak, Laurids Gallée and Sabine Marcelis.
Is floral resin a new design technique?
Not according to Livingetc, which traces the approach to the 1940s and says it was revived in the 1980s. The report describes renewed attention rather than a newly invented technique.
Is the trend’s popularity supported by market data?
The cited report provides examples and designers’ observations, but no sales figures or industry-wide adoption data. It therefore does not establish how widespread the renewed interest is.
Source: livingetc.com
